Legacies of Plague in Literature, Theory and Film

This ebook is an account of the historical past and continuation of plague as a effective metaphor because the affliction ceased to be a plague possibility in Western Europe, engaging with twentieth-century opinions of fascism, anti-Semitic rhetoric, the Oedipal legacy of psychoanalysis and its reception, and picture spectatorship and the zombie style.

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"Legacies of Plague in Literature, Theory and Film"

Working with Disney: Interviews with Animators, Producers, and Artists

By Don Peri

In this quantity Don Peri expands his remarkable paintings carrying out in-depth interviews with Disney staff and animators. those fresh interviews comprise conversations with actors and performers instead of completely animators.

This e-book deals Peri's wide interviews with Marc Davis, Frank Thomas, and Ollie Johnston, 3 of Walt Disney's famed "Nine previous males of Animation." Peri interviewed Disney Mouseketeers-Bobby Burgess and Sharon Baird-from the unique Mickey Mouse membership express, supplying beneficial views on how the Walt Disney corporation labored with tv. Lou Debney, a Disney tv manufacturer, discusses the company's engagement with tv and live-action movie. Walter Lantz talks approximately his paintings within the animation company, in particular with Oswald the fortunate Rabbit. And Dave Hand discusses his mythical paintings on Snow White and the Seven Dwarfs.

Taken jointly, the interviews in Working with Disney create an enlightening viewpoint at the Walt Disney corporation because it grew from its animation roots right into a media powerhouse.

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"Working with Disney: Interviews with Animators, Producers, and Artists"

Funny Frames: The Filmic Concepts of Michael Haneke

By Oliver C. Speck

Taking its cues from the cinematic strategies of the arguable Austrian-born director Michael Haneke, humorous Frames explores how a political pondering manifests itself in his paintings.

The booklet is split into elements. within the first, Oliver C. Speck explores a few of Haneke's Deleuzian qualities - exhibiting how the theoretical recommendations of the digital, of filmic area and of realism may be valuable instruments for unlocking the issues that Haneke formulates and solves via filmic potential. within the moment, Speck discusses various themes that seem in all of Haneke's motion pictures yet that have not, in the past, been absolutely spotted or analyzed. those chapters reveal how Haneke performs the function of "diagnostician of culture," how he reads - for instance - insanity, suicide and early life.

Like numerous different modern eu administrators, Haneke addresses themes thought of tough whilst measured by way of the factors of business cinema: the annoying results of violence, racism, and alienation. humorous Frames is an incisive and unique contribution to the growing to be scholarship on some of the most exciting auteurs of our time.

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"Funny Frames: The Filmic Concepts of Michael Haneke"

Early Modern Tragedy and the Cinema of Violence

By Stevie Simkin

This can be a hugely unique research that considers parallel matters in genres set 400 years apart-revenge tragedies of the early 17th century and violent cinema of the final thirty years. It bargains a chain of provacative and unique explorations of dying and revenge, and gender and nation politics. What occurs once we attach The White Devil with Basic Instinct? The Changeling or Titus Andronicus with Straw Dogs? Doctor Faustus with Se7en? Taxi Driver or Robocop with The Spanish Tragedy? attractive to either literature and movie scholars and students, the booklet additionally reconsiders the high/popular tradition divide and displays at the enduring importance of the revenge motif in Western tradition.

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"Early Modern Tragedy and the Cinema of Violence"

Me and Earl and the Dying Girl (Revised Edition)

By Jesse Andrews

The booklet that encouraged the hit film!
Sundance U.S. Dramatic viewers Award
Sundance Grand Jury Prize
This is the funniest publication you’ll ever examine loss of life.
it's a universally said fact that top university sucks. yet at the first day of his senior yr, Greg Gaines thinks he’s figured it out. the reply to the elemental existential query: How is it attainable to exist in a spot that sucks so undesirable? His approach: stay on the outer edge continually. hold an insanely low profile. Make mediocre movies with the only one that is even kind of his good friend, Earl.
        This plan works for precisely 8 hours. Then Greg’s mother forces him to develop into acquaintances with a lady who has melanoma. This brings in regards to the destruction of Greg’s complete life.
        Fiercely humorous, sincere, heart-breaking—this is an unforgettable novel from a shiny expertise, now additionally a movie that critics are calling "a touchstone for its new release" and "an speedy classic."
        Also to be had from Jesse Andrews, The Haters.

“One want in basic terms examine the bankruptcy titles (“Let’s simply Get This Embarrassing bankruptcy Out of the Way”) to grasp that this is often one humorous book.”
Booklist, starred review

“Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2011), it stands by itself in inventiveness, humor and heart.”
Kirkus Reviews, starred review

New York Times bestseller!

Capitol offerings 2013 - Noteworthy Titles for kids and Teens
Cooperative Children’s e-book middle (CCBC) offerings 2013 record - younger grownup Fiction
YALSA 2013 quickly selections for Reluctant younger grownup Readers
YALSA 2013 top Fiction for younger Adults
YALSA 2014 well known Paperbacks for younger Adults

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"Me and Earl and the Dying Girl (Revised Edition)"

Cinema and Painting: How Art Is Used in Film

By Angela Dalle Vacche

The visible snapshot is the typical denominator of cinema and portray, and certainly many filmmakers have used the imagery of work to form or increase the which means in their movies. during this discerning new method of cinema reports, Angela Dalle Vacche discusses how using pictorial assets in movie allows 8 filmmakers to touch upon the interaction among the humanities, at the dialectic of notice and photo, at the courting among inventive creativity and sexual distinction, and at the stress among culture and modernity.

Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's break up allegiances among East and West (Five ladies round Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's venture to express interiority via pictures (The Marquise of O), F. W. Murnau's debt to Romantic panorama portray (Nosferatu), Vincente Minnelli's affinities with American summary Expressionism (An American in Paris), and Alain Cavalier's use of nonetheless lifestyles and the close-up to discover the geographical regions of mysticism and femininity (Thérèse).

While addressing problems with effect and intentionality, Dalle Vacche concludes that intertextuality is primary to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting paintings background, defines itself relating to nationwide traditions and greatly shared visible cultures.

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"Cinema and Painting: How Art Is Used in Film"

The Art and Technique of Digital Color Correction

By Steve Hullfish

The basically consultant to the paintings and means of colour correction according to the worthy wisdom of greater than a dozen of the pinnacle colorists on this planet. This publication permits you remarkable entry to the way in which the masters of the craft process their work.

Containing many years of event colorist information, this publication presents an realizing of what top-tier colorists search for in a picture and the way they understand what to do to make it nice. that includes suggestions played in a number of colour correction software program functions (DaVinci unravel, Apple colour, man made Aperture's colour Finesse, and more), this e-book turns what has lengthy been a misunderstood "black paintings" right into a set of talents that any colorist, editor, autonomous filmmaker, or movement pictures artist can start to grasp. full of causes, assistance, and ideas that construct on each one other, you will find out how to:
* repair poorly uncovered photographs and pictures with colour casts
* create looks
* fit shots
* grasp basic and secondary colour correction techniques
* use colour correction to improve a story

This version includes

* An up-to-date DVD containing hours of video tutorials utilizing DaVinci unravel, prolonged interview transcripts and colour correction periods with the pro colorists featured within the e-book

* a new tutorial-based bankruptcy, with significant other undertaking records at the DVD, so that you can paintings besides the text

* New perception from extra specialist colorists, together with mythical colorists, Bob Festa, Stefan Sonnenfeld, and Pankaj Baipai, displaying you the 'hows' and 'whys' of every grade

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"The Art and Technique of Digital Color Correction"

Pride and Panic: Russian Imagination of the West in Post-Soviet Film

By Yana Hashamova

Since the autumn of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. modern Russian cinema has latched directly to the ensuing confusion and ambivalence, mining societal upheaval for progressive cinematic themes. Yana Hashamova explores this principally uncharted territory in Pride and Panic.

A groundbreaking study, Pride and Panic probes cinematic representations of the unsettled Russian nationwide realization, a posh cocktail of worry, anger, and concerned uncertainty. Hashamova examines the works of either verified and lesser-known Russian administrators, and he or she attracts thought-provoking parallels among those evolving social attitudes in modern Russia and the advance of somebody human psyche. The cultural impression of globalization, the evolution of the Russian nationwide id, and the psychology of a society all intertwine during this interesting research of the connections among movie and political consciousness.

“Hashamova speaks to a large constituency of readers. The accessibility of Pride and Panic commends it as a path reader and instruction manual for undergraduate scholars of up to date Russian movie and tradition. it may be prompt as a superb advent for individuals of most of the people prepared to understand extra approximately Russian cinematography and its referring to the advanced identities rising in post-Soviet Russian today.”—Galina Miazhevich, Russian magazine of Communication
“Yana Hashamova deals a huge contribution and her research is usually recommended for all degrees of curiosity in post-Soviet Russian cinema, from educational movie student to cineaste.”—Lars Kristensen, Senses of Cinema
“Shows an in depth analyzing of a voluminous volume of literature, considerate viewings of the movies, and the facility to carry relatively diversified material and methods jointly right into a attention-grabbing examine of Russian movie on the millennium. The scope of this publication and its reflective caliber can be of curiosity to students and scholars of Russian heritage, tradition, and movie. it truly is really worth reading.”—Alexandra Heidi Karriker, Russian Review
“Political ideology, psychoanalysis and cinema come jointly in Yana Hashamova’ analyzing of Russian nationwide id as built and expressed via film.”—Trina R. Mamoon, Canadian Slavonic Papers
 “Lucid and eminently obtainable, Pride and Panic differs from different experiences of latest Russian movie in its theoretical framework, which includes psychoanalysis, gender, and ideas of alterity and neighborhood to research Russia’s post-Soviet embattled cinematic reconstruction of masculine and nationwide identity.  An soaking up learn, the ebook pursues its argument of finished politico-social trauma with consistency and conviction.”—Helena Goscilo, collage of Pittsburgh

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"Pride and Panic: Russian Imagination of the West in Post-Soviet Film"

The Terministic Screen: Rhetorical Perspectives on Film

By David Blakesley

The Terministic reveal: Rhetorical views on Film examines the significance of rhetoric within the learn of movie and movie conception. Rhetorical techniques to movie reviews were generally practiced, yet infrequently mentioned previously. taking up such concerns as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley provides fifteen serious essays that research rhetoric’s function in such well known motion pictures as The 5th point, The final Temptation of Christ, the standard Suspects, Deliverance, The English sufferer, Pulp Fiction, The track guy, Copycat, Hoop Dreams, and A Time to Kill.

Aided via 16 illustrations, those insightful essays reflect on movies rhetorically, as methods of seeing and never seeing, as acts that dramatize how humans use language and pictures to inform tales and foster identification.

Contributors contain David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.

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"The Terministic Screen: Rhetorical Perspectives on Film"